Selecting the right type of surface for each image is a fundamental part of the printing process. I prefer working with the Hahnemühle Matt FineArt Textured line. These high quality papers don’t produce any inconvenient and distracting reflections, allowing you to appreciate the art from any angle and with no need of special lighting.

Of course, the most important reason is that these papers enhance the particular aesthetic effect that I want in my printed work. Here are some samples of the papers I use so that you have an idea of what they look like.

William Turner 310 gsm, 88.5% white, 100% cotton

Paper Samples - From Dust to Ashes : The Suspension of Disbelief

Museum Etching 350 gsm, 87% white, 100% cotton

Paper Samples - From Dust to Ashes : The Suspension of Disbelief

Torchon 285 gsm, 96% white, 100% alpha-cellulose

Paper Samples - From Dust to Ashes : The Suspension of Disbelief

German Etching 310 gsm, 91.5% white, 100% alpha-cellulose

Paper Samples - From Dust to Ashes : The Suspension of Disbelief

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