Selecting the right type of surface for each image is a fundamental part of the printing process. I prefer working with matte finished papers, since they don’t produce any inconvenient and distracting reflections; allowing you to appreciate the art from any angle and with no need of special lighting.

Another important reason is that these papers enhance the particular aesthetic effect that I want in my printed work. Here are some samples of the texture of the papers I use so you have an idea of what to expect. You will find the specific paper used for each photo in the Limited Edition image gallery.

William Turner 310 gsm, 88.5% white, 100% cotton

Papers - From Dust to Ashes : The Suspension of Disbelief

Museum Etching 350 gsm, 87% white, 100% cotton

Papers - From Dust to Ashes : The Suspension of Disbelief

Torchon 285 gsm, 96% white, 100% alpha-cellulose

Papers - From Dust to Ashes : The Suspension of Disbelief

German Etching 310 gsm, 91.5% white, 100% alpha-cellulose

Papers - From Dust to Ashes : The Suspension of Disbelief

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